Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.

Cheung Ye Pang (Andy Lau) is a Cantonese detective out to combat opium sellers. Encountering high-level corruption along with close friends being murdered, Pang sets out to stop the dealers.

浮于日本一隅的和平宁静的龙宫岛——一座与日本本土隔绝的孤岛人们长年过着和平、安静的日子。 　　“你……在那里……吗？” 　　有一天，一个遥远魑魅的声音传来，紧接着美丽而又不祥的生命体fostom从苍穹之间袭来。 　　其实早在29年前，龙宫岛乃至日本就已不存在于地球的版图之上，这一切的谜团随着危险生物Festom的到来逐渐展开。一切的伪装被卸下，战火开始燃烧，这里将不再平静…… 　　龙宫岛上的少年真壁一骑在Fafner驾驶员丧生的情况下，无奈的踏上了驾驶巨人Fafner保护这块乐园的旅途。 　　是坚决保护最后的乐园？还是懦弱的逃避现实？ 　　一骑紧握好友总士的手，开始了不知终点的战斗之路…… 　　※STAFF※ 　　原作 ： XEBEC 　　企画 ： 大月俊伦·下地志直 　　文芸统括 ： 冲方丁 　　故事构成 ： 山野辺一记 　　人物设定： 平井久司 　　色彩设定 ： 関本美津子 　　音响监督 ： 三间雅文 　　美术监督 ： 小山俊久 　　撮影监督 ： 広瀬胜利 　　3D监督 ： 本间润树 　　音楽 ： 斉藤恒芳 　　制作人 ： 中西豪千野孝敏能戸隆 　　助监督 ： 山冈信一 　　监督 ： 羽原信义 　　※CAST※ 　　真壁一骑-------石井真 　　远见真矢-------松本まりか 　　皆城総士-------喜安浩平 　　真壁史彦-------田中正彦 　　皆城乙姫-------仲西环 　　羽佐间翔子-------松来未祐 　　春日井甲洋-------入野自由 　　要咲良-------新井里美 　　近藤剣司-------白石稔 　　小楯卫-------斎贺みつき

Composed of 8 episodes that are each about 6 minutes long, the drama tells interesting stories of a couple in an office-dating relationship. Even though each clip is short, the web drama as a whole offers various sides of office dating such as heart-throbbing moments before the relationship blooms and little misunderstanding and difficulties arise in a relationship.

At the beginning of the 20th century, the arrival of a man on the Breton coast near Saint-Malo fills him with awe as he observes the devoted, courageous sailors and their wives waiting for them on the shore. Among them is a young laundress, whose charm does not leave him indifferent, waiting for her beloved, who left for sea months ago. When the ship returns, her fiancé is dead. He then decides to join these valiant men and, through his dedication, prove his love to the young woman.

Young-Hoon works for his mother’s restaurant, but he prefers hanging out with his friends. He then meets Yeun-ah, a tough lady that works in a room salon as a barmaid. She takes the initiative by coming to his restaurant, when he is working, and propositions him in a playful way. They become a couple, but their relationship is always volatile. They fight constantly (physically and verbally), but the next moment kiss and make up. Meanwhile, Young-Hoon already has another girlfriend, who is his finance!

Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.

A common day in Stockholm some people face major changes. The owner of a fur shop meets an animal rights activist. A priest has restrictions on Saint Lucy's Day. An old woman evicts and a young man disappoints his father.

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Borrowing words from Laura Mark's 'Transnational Object' and DW Winnicott's 'Transitional Object', all carefully etched into the 16mm film surface, Nazli Dinçel's latest work BETWEEN RELATING AND USE is an attempt to work ethically in a foreign land. Transitioning from assuming the position of an ethnographer, we turn and explore inwards – on how we use our lovers.